AS /
Documentary photographyPeople. Moments. Memory.

ARAD
SHAHPAZIR

A life observed.
A moment preserved.

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BLACK & WHITE
ANALOG AT HEART

Stories in
still frames.

2018–2024 · 54 photographs · Analog black-and-white film

An exploration of human presence, the earth, and the passage of time. Photographed on black-and-white film across Iran, Uzbekistan, Switzerland, and Estonia.

Semi-abandoned stadium of Takhti, Iran, 2023
A person with a white umbrella and a seated man looking across the water, Jeju Island, 2025
Small Girl sitting alone, Registan Square, Uzbekistan, 2024
Next to the water, I am me, Zurich, Switzerland, 2023
A small boy standing on the ruins of the Arc of Bukhara, Bukhara, Uzbekistan, 2024
The sun, water and air, Khiva, Uzbekistan, 2024
Me?, Shiraz, Iran, 2019
𐎱𐎠𐎼𐎿, Persepolis, Iran, 2019
Thoughtfulness, Zurich, Switzerland, 2023
It's just us, Persepolis, Iran, 2019
The Change, Rebuilt parts of the Arg-e-bam, Iran, 2022
It will be fine, Zanjan, Iran, 2022
The Burnt City, Zabol, Iran, 2022
Wait for your turn, Burnt City, Iran, 2022
In Between, Isfahan, Iran, 2021
Historical village of Nayband, Tabas, Iran, 2022
Stillness, Afrasiyab Complex, Samarkand, Uzbekistan, 2024
Stillness, Khiva City wall, Uzbekistan, 2024
Semi-abandoned stadium of Takhti, Iran, 2023
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The Man and the Earth

A triangular relationship

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Black-and-white portrait of Arad Shahpazir, seated indoors
Arad ShahpazirPhotographer

Drawn to the
everyday.

I’m Arad, an analog black-and-white documentary photographer. I photograph genuine moments as a way to connect with people and preserve memories.

My practice has grown through thirteen years of independent learning, working with both film and digital photography, and documentary workshops led by Mehdi Vosughnia.

SELECTED RECOGNITION

Echoes of Yesterday — LoosenArt
Group exhibition · Rome, Italy · 2025

UNESCO Youth Eyes on the Silk Roads — 5th Edition
Shortlisted

Best Photographer Award, Tehran
High school recognition

A road into
silence.

When did photography become part of your life?
I don’t remember an exact moment when I decided to become a photographer. I had just started high school when I began taking pictures. What has stayed with me is that I never stopped—neither taking photographs nor teaching myself.
What keeps bringing you back to photography?
I’ve always loved observing things. There’s an immense pleasure in accepting things as they are and simply looking at them. Photography brings me back to that feeling every time.
What do you hope a viewer experiences in your work?
I hope the photographs lead the viewer toward a moment of silence—a quiet place. Whether that silence brings calm or fear, I don’t know. I want to make a road toward it, not decide where it should end.

Practice,
in context.

Self-taught photographer. Group exhibition: Echoes of Yesterday, LoosenArt, Rome. UNESCO Youth Eyes on the Silk Roads — 5th Edition, shortlisted.

Best Photographer Award, Tehran, during high school. Education in Mining Engineering, followed by master’s studies in MBA and MPP.

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Let’s talk.

For exhibition, curatorial, and print enquiries. Full CV, project PDF, and print details are available on request.